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Richard Horie is an artist who has worked on many comics, mostly as a penciller and colorist, but also as writer and inker. ==Biography== Richard Horie has worked in almost every field as a comics creator, from writer and penciller to inker and colorist, the latter of which he (with wife Tanya) is perhaps now best known. Richard, according to ''The Best'' author Heidi MacDonald once worked for Disney in some capacity,〔(SD07: The final countdown, by Heidi MacDonald, 9 August 2007 ). Accessed March 16, 2008〕 but his first known comics credits appear in the mid-1990s for Image Comics. In October 1992, he wrote and pencilled part of ''Brigade'' #2, alongside writers Hank Kanalz and Eric Stephenson, writer/artist Rob Liefeld and penciller Marat Mychaels. He would pencil and ink for Stephenson several times over the next year, on titles including ''Supreme'', various ''Youngblood'' titles, ''Brigade'', ''Bloodstrike'' and ''Deathmate''.〔(Richard Horie at the ComicBookDB ). Accessed March 16, 2008〕 He provided inks for an issue of Jim Valentino's ''ShadowHawk'', and was one of several writers and artists to contribute to the "Extreme" preview created for ''Hero Illustrated'' magazine, touting Liefeld's Image imprint Extreme Studios.〔 - Accessed March 16, 2008〕 Richard's work for Extreme continued along similar lines to his earlier image work, pencilling issues of ''Bloodstrike'', ''Brigade'', ''Chapel'', ''Prophet'' and ''Operation Knightstrike'' amongst others. When Rob Liefeld split from Image Comics, many of his "Extreme" creators moved with him to work under the Maximum Press banner, and Richard Horie was one such individual. Providing pencils for Robert Napton's "Battlestar Galactica" in Maximum Press's ''Asylum'' #2 and #3, Horie was also one of many pencillers to work on Alan Moore's reinvention of Liefeld's universe, providing pencils for ''Supreme'' #44 (Maximum Press), and color (with wife Tanya) for a back-up to ''Supreme'' #54 (Awesome). The two also added color to Jeph Loeb's take on the Fighting American in the ''Awesome Holiday Special'' (1997), and inked and colored the Liefeld/Loeb ''Re:Gex'' #1. Now focusing solely on coloring, the two colored Mike Deodato Jr.'s pencils and inks for a couple of issues of Chaos! Comics' ''Lady Death, as well as ''Coven'' and Jada Pinkett Smith's ''Menace'' for Awesome, before coming to work almost-exclusively for DC Comics in December, 1998. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Richard Horie」の詳細全文を読む スポンサード リンク
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